- ESSENTIAL PEARL JAM BOOTLEGS FULL
- ESSENTIAL PEARL JAM BOOTLEGS CODE
- ESSENTIAL PEARL JAM BOOTLEGS CRACK
ESSENTIAL PEARL JAM BOOTLEGS CODE
Vitalogy walked so that No Code could run. It is just as fucking bizarre and fantastic as it sounds. I mean this is also the album with “Bugs” on i t, a three minute accordion based song about…you guessed it, bugs. “Immortality” remains one of the best closing tracks of any record (not counting the experimental “Hey Foxymophandlemama, That’s Me”). “Corduroy” is the perfect four and a half minute distillation of everything that makes Pearl Jam such a fantastic and undeniable rock band. “Not For You” is one of the great fuck you songs ever written. “Nothingman” is acoustic Pearl Jam at their absolute best. This included never officially releasing “Better Man” as a single (it was seen as too commercial by the band and they were right, it eventually peaked at 13 on Top 40 and number 1 on the rock charts). Uncomfortable with a huge fan base and so much mainstream success, the band made concerted efforts to shy away from growing a larger fan base. Vitalogy is largely seen as where things started to shift. Ten is one of the great American rock records and it’s impact is pretty undeniable at this point. “Release” may be the best set opener ever and “Porch” just absolutely fucking rules live. That being said, how many songs sound better than “ Alive” with 100,000 people singing along? “Black” still has the same raw emotional power it did almost thirty years ago. I also think it’s the only Pearl Jam record where the production bothers me a little bit (thankfully, Brendan O’Brien re-mixed and re-mastered the album back in 2009 is a big improvement). This list is entirely subjective and if I am being honest I don’t have the attachment to this record I do to some of their other work.
ESSENTIAL PEARL JAM BOOTLEGS CRACK
It’s a testament to how much Pearl Jam grew as a band that an album as monumental as Ten can barely crack the top five. Ten is truly a classic record, it’s an indelible document of a bygone era when flannels and nihilism were in and neon and synths were out. I know this might sound sacrilegious to have Ten ranked so low, but hear me out. But hey at least it gave us a fucking kick ass tour with Sleater-Kinney opening for many of the dates (go get ahold of these bootlegs if you can, they’re by and large fantastic). Out of all of Pearl Jam’s albums this is by far the one I return to the least. But the rest of the album is largely forgettable at best. Bush (side note it’s scary how accurate Vedder’s lyrics from 18 years ago still resonate today: “A confidence man/ but why so beleaguered?/He’s not a leader, he’s a Texas leaguer/Swinging for the fence, got lucky with a strike/Drilling for fear, makes the job simple/Born on third, thinks he got a triple”). And it features “Bu$hleaguer”, an all time great evisceration of then President George W. “Save You”, “Love Boat Captain”, “I Am Mine”, and “Thumbing My Way” are all stand out tracks. Look I like Riot Act and I think it has some a few really strong moments, but there isn’t much denying that through and through this is the band’s weakest and most unfocused record. For the purposes of Pearl Jam I am only looking at the studio albums and not the 70+ live albums they’ve officially following the Binaural tour.
ESSENTIAL PEARL JAM BOOTLEGS FULL
Because of that I thought it might be fun to start a series called Discog Dives where every know and again I can look back on artists full discography.
I wanted a little bit of time to think on it and digest it before I offered my thoughts and when I was ready I couldn’t help but think about in the context of their larger discography. Pearl Jam’s 11th studio album Gigaton arrived at the end of last month.
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